Wednesday, December 1, 2010
Guest poem – Sponosored by Mark Bibbins
[Our beloved MFA teacher/sage Mark Bibbins has graced The Tolerance Project with an astonishing poem of his own, lovingly culled from sponsored search results in The Tolerance Project Archive]
Sponosored
Authentic eel wallets, did you mean ee
Everyone wants to get the best value for maternal
Explicit explicit hard to find Harrowing
Millions of products from thousands of Sneaking: Cheap
Stay ahead of discovery buy rachel $10 off your first Coach compliance order
Relax. Take a deep breath. We have the 10+ infant mortality
Martyr ad blowout Save on hotels in Palestine, TX
Find Language & Download your favorite Chatea con Latinos y Latinas en tu Ciudad
All Pain, Infertility, Aging, Stress, Nutrition & Beauty master 100% Gratis
Neighbour Neighbour Get What You’re Looking For / Go on a Blind Date now.
Sponosored
Authentic eel wallets, did you mean ee
Everyone wants to get the best value for maternal
Explicit explicit hard to find Harrowing
Millions of products from thousands of Sneaking: Cheap
Stay ahead of discovery buy rachel $10 off your first Coach compliance order
Relax. Take a deep breath. We have the 10+ infant mortality
Martyr ad blowout Save on hotels in Palestine, TX
Find Language & Download your favorite Chatea con Latinos y Latinas en tu Ciudad
All Pain, Infertility, Aging, Stress, Nutrition & Beauty master 100% Gratis
Neighbour Neighbour Get What You’re Looking For / Go on a Blind Date now.
Monday, November 8, 2010
Poem 40 – American Picture
[One final collaboration. Ralph Kolewe asked The Tolerance Project to respond to the photo, "This isn't Whitman's country anymore" (see photo below) for his InfluencySalon.ca section, Frames. We collectively obliged, although various sources seem to attribute this poem to one of the following authors:
(A) Kevin Killian
(B) Dorothy Trujillo Lusk
(C) An unknown member of the Hobi [sic] Native American Tribe]
American Picture
Some words are tasteless
The dog accepts no treats from “Obama”
There’s no 13th floor because their God is a prolongation of ego
Founder of the little-known group known as “The Family”
Only turned up as “solid” in the denial column
What are you saying, Bob?
You are breeding from the lower side of the curve
Something American, Canadian, or viscous
How would you like to have a magic mirror?
Joan Retallack begins with geometries of attention
The class of mediocres has the right to an epaulette of red wool
I am the swift uplifting rush that happens once duration enters
The turtles speak to my bele chose
In order to distinguish the pictorial object from a readymade
Each participant reads their Behavioral Self-Portrait aloud
This is not to say that people with accents are haters, of course
SOME PARTS HAVE BEEN LEFT OUT, AS YOU SEE (pointing)
My body is on the chair. I don’t shave my legs. 1 is already a stand-in for 0
This is a real-time engagement with form
I will never stop praising my Lord for this prosthetic
You’re branded by the objects you love
Everyone has one special sensation
A Neighbor is the one who by definition smells
Kyle, you have to keep making your macaroni pictures
(A) Kevin Killian
(B) Dorothy Trujillo Lusk
(C) An unknown member of the Hobi [sic] Native American Tribe]
American Picture
Some words are tasteless
The dog accepts no treats from “Obama”
There’s no 13th floor because their God is a prolongation of ego
Founder of the little-known group known as “The Family”
Only turned up as “solid” in the denial column
What are you saying, Bob?
You are breeding from the lower side of the curve
Something American, Canadian, or viscous
How would you like to have a magic mirror?
Joan Retallack begins with geometries of attention
The class of mediocres has the right to an epaulette of red wool
I am the swift uplifting rush that happens once duration enters
The turtles speak to my bele chose
In order to distinguish the pictorial object from a readymade
Each participant reads their Behavioral Self-Portrait aloud
This is not to say that people with accents are haters, of course
SOME PARTS HAVE BEEN LEFT OUT, AS YOU SEE (pointing)
My body is on the chair. I don’t shave my legs. 1 is already a stand-in for 0
This is a real-time engagement with form
I will never stop praising my Lord for this prosthetic
You’re branded by the objects you love
Everyone has one special sensation
A Neighbor is the one who by definition smells
Kyle, you have to keep making your macaroni pictures
Saturday, November 6, 2010
Poem 39 – A tongue listens to a war
[The Tolerance Project was asked to submit to another anthology, this one based on Sean Labrador y Manzano's McSweeney's column "Conversations at a Wartime Cafe", with the subtitle: a Decade of War. Sean's questions to contributors were: "How has the first decade of war [in the new millennium] shaped your social fabric? How has the anticipation of the next 10 years of war, a forever war, shaped your outlook?" The Tolerance Project contributors came up with the following response.]
A tongue listens to a war
Driven out of Lebanon warm air opens the lines
Slow moving vowels grip glottal, we pucker
Hiss of splayed gullets marks the gaps
Their right legs slightly forward and left feet turned out
The future blended American would be less intelligent
By definition shall be internalized by targeted anathema
They all run and play together, his eager body quivers
In coy reprisal, discursive suicide fits the niche
This polymer web of four-time relationships
With whom we cannot be reconciled in lamblike game
Scribling and Lying spread Faculties of Profit and Credit
A fantasy of tea & truth and there there below
These anarchists split a magnet for the Ignorance Frame
With the Assistance of a Friend in the Peak
A roving Fancy Burlesques that Sacred Rite
Porn for the whole soul goes to Issah as peace
Let me cruise the blue flame of you or shatter
Velvet curtain of culture deadly teevee scree
Decorative laminates, moral recovery, picnic ware,
Just this side of heaven is a hole called Rainbow Bridge
Sean cannot rely on symbolic layers of hum
Guaranteeing that Christian will get the aphorism
Bright touch blood your earth language affect
Get ready for permanent enlargement of your dearest part
A tongue listens to a war
Driven out of Lebanon warm air opens the lines
Slow moving vowels grip glottal, we pucker
Hiss of splayed gullets marks the gaps
Their right legs slightly forward and left feet turned out
The future blended American would be less intelligent
By definition shall be internalized by targeted anathema
They all run and play together, his eager body quivers
In coy reprisal, discursive suicide fits the niche
This polymer web of four-time relationships
With whom we cannot be reconciled in lamblike game
Scribling and Lying spread Faculties of Profit and Credit
A fantasy of tea & truth and there there below
These anarchists split a magnet for the Ignorance Frame
With the Assistance of a Friend in the Peak
A roving Fancy Burlesques that Sacred Rite
Porn for the whole soul goes to Issah as peace
Let me cruise the blue flame of you or shatter
Velvet curtain of culture deadly teevee scree
Decorative laminates, moral recovery, picnic ware,
Just this side of heaven is a hole called Rainbow Bridge
Sean cannot rely on symbolic layers of hum
Guaranteeing that Christian will get the aphorism
Bright touch blood your earth language affect
Get ready for permanent enlargement of your dearest part
Monday, November 1, 2010
Poem 38 – "Child soldier"
[The Tolerance Project was asked to contribute a poem to a forthcoming anthology in response to Canadian "child soldier" Omar Khadr having been imprisoned in Guantanamo Bay for 8 years, since he was 15. Information on the anthology is here: omarkhadranthology.wordpress.com]
"Child soldier"
(for Omar Khadr)
A child has an imposition from which he can redeem himself with six points
Planets move so that soldiers sketch with chalk over the singe
Women feel burning and pricking of heat inside
Tracing their hands or pictures of ships where paws and bellies hung
But sand has a terrible secret
I think plain, clear language could make it stronger
“Very good, only they breathe”
In the background is a piece of classical architecture
He holds a small camouflaged pillow in his left hand
I forgive your ancestor’s beautiful thoughts
Statues representing dancing figures
What the Boardroom shoves through the porthole to sea
With this little soldier doomed grow monster
Tribunal earrings shown full face and aligned in depth
While writing this, I am bloody as well as greasy
Hot about the mouth of the womb
If the vest of childhood the thread of peace
Sometimes the colour of humid ashes
Outside the veins and in the hollowness
Small black bodies mingled with milk
If unable to deliver antibiotic borders
Inside and aching, pricking and hardness
And if such humours turn into cold wind
And they fly up to the heart and lungs
"Child soldier"
(for Omar Khadr)
A child has an imposition from which he can redeem himself with six points
Planets move so that soldiers sketch with chalk over the singe
Women feel burning and pricking of heat inside
Tracing their hands or pictures of ships where paws and bellies hung
But sand has a terrible secret
I think plain, clear language could make it stronger
“Very good, only they breathe”
In the background is a piece of classical architecture
He holds a small camouflaged pillow in his left hand
I forgive your ancestor’s beautiful thoughts
Statues representing dancing figures
What the Boardroom shoves through the porthole to sea
With this little soldier doomed grow monster
Tribunal earrings shown full face and aligned in depth
While writing this, I am bloody as well as greasy
Hot about the mouth of the womb
If the vest of childhood the thread of peace
Sometimes the colour of humid ashes
Outside the veins and in the hollowness
Small black bodies mingled with milk
If unable to deliver antibiotic borders
Inside and aching, pricking and hardness
And if such humours turn into cold wind
And they fly up to the heart and lungs
Sunday, October 3, 2010
Poem 37 – Satisfactions are gaps in desire [Response to Exchange Value #3 by Kai Fierle-Hedrick]
Satisfactions are gaps in desire
(for what's left)
Pass the object around and share its story
A placebo made of velvet, filled with sawdust and spores
A cluster of fruit flies in the heat of my chest
I trusted you with the bases pointing inward
Has the heart of shame grinned?
This is a portrait of a pale straight list if I say so
Two past lovers and a boss
Where I used to scratch to go out or in
Tough, hard and rigid produced in high-gloss colours
We do most of our thinking with our vocal cords
The composition must react to the edges
I didn’t mean to say anything about “docile”
Create a gap between the two parts of the logo
The solvent of the native gum and then the epiphany
When machines shift context the needless detail emerges
I never felt stupid before I took this test
Utilize proprioceptive surplus against the firm numb organ
No longer a procedure of heroization
In fact there was a blanket of hills, it saturates relief
Confusing or genuine magic pixel amazes me
Either way, this is a valuable purchase
Everyone must write a book called house
Assigning zones of immaterial sensibility to the various collectors
Forms and scales of high-creep-resistant “freedom”
Language is a part of orgasm and no paperwork is overwhelming
To preach anything is to give it away
Doing this experiment felt more like a translation
The plane is also emphasized and nearly single
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