Saturday, November 7, 2009

Poem 11 – She then flies to Art

[the poem the gf didn't 'get'--see thetoleranceproject.blogspot.com/2009/11/rzs-xellent-moma-adventure.html]


She then flies to Art

Melding human form and furniture
Into a seamless whole
Valuing herself an unnatural bundle of hairs
All covered with Powder

Works of Art by Department

No artists or poets without
A true desire to progress her
Exquisite handling of natural material
Shifts the ground of your polished
Mahogany and luminous opals

Timeline of Art History

Idea of sociality the return to point zero
Where she studied under a number of notable
Where acting is the central point, not listening


150 Hakka (Chinese people) in art [Not Subd Geog] [sp2009004632]


The moment where the “I” ends
Puts on a Perriwig
And “the other” begins


Viewing contemporary art as a natural component
Of creating communal property—
A home

New York: The Museum of Modern Art


I was so continual an art designed by Michalengo©
Unnamable gallery a joy willow
Not separate stand-alone processes
They flow from the liberal arts core


(C) 150 Kamaiurá art [May Subd Geog] [sp2009004349]


Catastrophic forms of underbrushes, these sums'
Radical disarticulation to the root of
My journey – so authentic a ghost – scares another toast’s
Assumptions about the aesthetic autonomy
Between inside and outside
An institutionally cultivated sensibility


450 UF Art, Kamaiurá

She is art
But you expect to hurry
Vestibules are inches
Farming art in abandoned lots


550 BT Art, Brazilian


Most paint self-portrait projects
Twice demolished and snow has aged
Twice the beauty of recycled decay


Is the readymade as macho as the abstract painting?
When to practice is the balancing jet,
Has loss glanced?
Its artist is the branch





......................................(Frog Pond turns into a giant temple
......................................Made of “allure.” I had to
......................................Leave!






2 comments:

  1. I'm excited to have contributed to your poem, so, I'm sure, is the Library of Congress!

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  2. very cool! i do feel a kind of kinship with the piece... : ) the title is quite resonant. the best line, given the collaborative context, is the perhaps self-reflexive "assumptions about the aesthetic autonomy." thanks for the invitation to contribute!

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